war

An exhibition showcasing images of Iranian martyrs from the recent 12-day imposed war was held in front of the European headquarters of the United Nations.

An exhibition showcasing images of Iranian martyrs from the recent 12-day imposed war was held in front of the European headquarters of the United Nations.

An exhibition showcasing images of Iranian martyrs from the recent 12-day imposed war was held in front of the European headquarters of the United Nations.

An exhibition showcasing images of Iranian martyrs from the recent 12-day imposed war was held in front of the European headquarters of the United Nations.

An exhibition showcasing images of Iranian martyrs from the recent 12-day imposed war was held in front of the European headquarters of the United Nations.

An exhibition showcasing images of Iranian martyrs from the recent 12-day imposed war was held in front of the European headquarters of the United Nations.

An exhibition showcasing images of Iranian martyrs from the recent 12-day imposed war was held in front of the European headquarters of the United Nations.

Navideshahed: At one night when his father returned from the confectionery, he said: “I don’t like Mujtaba to go to the war at all.” Mir Mujtaba looked down and he slowly said: “If you don’t let me go to the war , from tomorrow I will go on hunger strike.”

Navideshahed.com : He would say: “I don’t wish my body to return to the city after my martyrdom, because I’m a commander and I will be sorry for those martyrs whose corpses have been left in the battlefields.”

The present article with the title of "searching in the black fiction of the sacred defense" is known as a famous assumption in the fiction of the war .

It was for a month that we could not find Ibrahim . those who were friend with Ibrahim were injured where ever we gathered , they all spoke about Ibrahim and cried .

Iranian forces recaptured the strategic port city during landmark operation code-named Beit ol-Moqaddas in 1982, putting an end to over 500 days of the Iraqi occupation.

Masoome Ramhormozi believed that memories of the Holy Defense era have rainbow colors and must get new products from war memories such as story, scripts and drama.

When you talk to Azizollah Nekouei, you can honesty in his words and it is really good. Still remembering the difficult days of war and the time that he was with his comrades, makes him to cry in tears. What you read bellow is an exclusive interview with Azizollah Nekouei, one of the chemically injured veterans from Iran-Iraq war era:

After about 3 decades since the beginning of the imposed war and the creation of the early works of theater of the Sacred defense war and about twenty years after its end, it is possible to say after looking at the bulk of the works that have been produces that one of the main problems and issues of the theater of the Sacred defense war is lack of attention to the item of interest or devaluation of it in the theater of the Sacred defense war . Interest is an item, the presence of which, gives life to a theatrical work and the absence of which takes away life from it. . .

As other types of play writing, play writing in the field of war or resistance can be studied from different points of views. In this respect, we can refer to different points of views such as sociology, psychology, home and family, characterization, dialogue writing, subject, plot, structure, presence of different character and types of people as well as point of view of self sacrifice, martyrdom and resistance. While writing plays for war theatre or resistance theatre, concepts such as self sacrifice, martyrdom and resistance are special concepts. These concepts have always been noticed by play writers. These concepts have some times appeared in special outstanding form that rarely observed in other types of play writing. And when speaking about a war under the name of “Sacred Defense”?, it is natural that such concepts benefit from more out standing aspects.